the da vinci code soundtrack hans zimmer

#The da vinci code soundtrack hans zimmer movie#
#The da vinci code soundtrack hans zimmer code#

Played while Sir Leigh Teabing decodes for Sohpie Neveu the secrets of Leonardo Da Vinci's 'The Last Supper', and explains to her the Holy Grail's true nature and identity: Mary Magdalene. It is also played at the end of the film.

#The da vinci code soundtrack hans zimmer code#

The first part is played mainly during the acquisition of the cryptex at the Depository Bank of Zurich, while the second part is played when Langdon and Sophie break the code on The Mona Lisa then escape.

This piece is played when Silas calls the Teacher and tortures himself through discipline. This piece is entirely played during the moment when Robert Langdon explained to Sophie Neveu at Bois de Bologne about the Priory of Sion, the Knights Templar & their involvement in history.

The first part is played at the beginning of the film, the second part is played when Sophie talks about Saunière in front of his body at the Louvre, and the last part is played at the final confrontation with Sir Leigh Teabing, including Robert Langdon seeing all history before his eyes and him throwing the cryptex in the air. It was rumored that the A-ha song Celice would be in the soundtrack to the film so that song is a double entendre for the torture device, the cilice, and the name of a woman named Celice whose presence seems to torture the men, but this did not occur. Additional sections were recorded at London's AIR Studios, atop Rosslyn Hill.ĭirector Ron Howard commented that 'Like every other facet of this movie, the score for The Da Vinci Code demanded a range of textures that recognized and reinforced the layers of ideas and emotion, which unfold as the basic story does.' Claiming that Zimmer was 'inspired', Howard added that 'Hans Zimmer has given us extraordinarily memorable music to appreciate within the framework of a film or completely on its own, where you can let the sounds carry you on your own private journey.' Like Media Ventures protégé Harry Gregson-Williams, who composed the soundtrack for The Lion, the Witch and the Wardrobe, Zimmer used Abbey Road Studios to help create his music for The Da Vinci Code. The thirteenth cue, 'Chevaliers de Sangreal', is the most bombastic powerfully underscoring the 'discovery' scene in the film. While the score has more in common with Zimmer's previous work for Hannibal, there is also a solid mixture of the motifs used for The Thin Red Line and Batman Begins. The film's music was composed by Hans Zimmer, whose work resulted in a nomination for the 2007 Golden Globe Award for Best Original Score.įor a soundscape that was religious to the core, Zimmer used a massive orchestra and chorus to create a dramatic ' stained glass cathedral' feeling. The official motion picture soundtrack for The Da Vinci Code with Thomas Bowes (violinist), King's Consort Choir, Hugh Marsh, Orchestra, Richard Harvey, Hila Plitmann, Martin Tillman was released on via Decca label. The soundtrack features violinist Joshua Bell on most tracks.Ī sequel, titled Inferno, was released in 2016.Pirates of the Caribbean: Dead Man's Chest The score is considered one of his best, with '160 BPM' becoming a true classic and favourite Zimmer tune. He chose to develop the 'Chevaliers de Sangreal' track from the end of The Da Vinci Code as Langdon's main theme in the film, featuring prominently in the tracks 'God Particle' and '503'. Multiple awards winner Hans Zimmer composed the score for Angels & Demons.

#The da vinci code soundtrack hans zimmer movie#

Like its predecessor, the movie created quite some controversy and due to its 'critical stance' towards the Catholic Church, Angels & Demons was banned in Samoa. Tom Hanks reprises his role as Professor Robert Langdon. It is the sequel to the 2006 film The Da Vinci Code, also directed by Howard, and the second installment in the Robert Langdon film series. Angels & Demons is a 2009 American mystery thriller film directed by Ron Howard and written by Akiva Goldsman and David Koepp, based on Dan Brown's novel.